inspired by Thomas's newfound disregard of nuance, I will henceforth only review movies using traffic light colours

Mad Max: Fury Road 🟢
Apple in the River 🟡
Trancers 🟢
Antonio Gaudí 🟡
Tokyo Drifter 🟢

critic/filmmaker Dan Sallitt has a baroque six-colour scale he uses instead of ratings place movies in an all-time context

the colors are red (pantheon), orange (near-masterpiece), yellow (Hall of Very Good), blue (good), purple (lowest rung of recommendability or interest), and everything not worth ranking is grey

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@derek my guy is ranking his movies like the MTG card rarity system

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